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Hatje Cantz

A person with dark hair looks back from the driver's seat of a car at night on the cover of the book Renegades: San Francisco: The 1990s by Chloe Sherman.

A person with dark hair looks back from the driver's seat of a car at night on the cover of the book Renegades: San Francisco: The 1990s by Chloe Sherman.

Hatje Cantz

Chloe Sherman

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A red and white cigarette pack casts a sharp, dark shadow on a solid red background.

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The cover of the World Press Photo 2025 book. The cover image is a poignant, sunlit portrait of a young boy with both arms amputated above the elbow. He wears a white tank top and looks away from the camera with a serious expression, his face half-cast in shadow.

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The book cover for Evaporating Suns: Contemporary Myths from the Arabian Gulf, featuring the title in English and Arabic over a hazy, orange-toned landscape with a red vertical stripe on the left.

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The cover of the book Reza Abdoh, featuring the title in a stylized red font with a black outline on a solid purple background.

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Ein schwarz-weißes Buchcover für Stefan Marx. Monotypes. Darauf steht in unregelmäßigen, collageartig angeordneten Buchstaben der Satz IDK WHATS GOING ON BUT ITS A LOT.

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The book cover for Two Mountains, showing a black and white photo of a village at the base of a forested mountain with a large, ghostly wireframe structure on the hillside.

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A red watering can lies on its side, draped with a pink fringed handbag and a gold chain, in a photograph on the cover of Peter Langer's book Thursdays.

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Eine rot-weiße Zigarettenschachtel mit starkem Schatten auf einem leuchtend roten Hintergrund.

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A tan book cover for Museums from the Inside shows an abstract pattern of interlocking white and tan rings with black outlines.

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Das Cover des Buches Fred Herzog: A Color Legacy zeigt eine Reihe orangefarbener Taxis an einem nebligen Tag.

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A grey book cover with the title Sugimoto over a blurry, abstract photograph of a dark sky above a blue and green sea horizon.

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The book cover for World Press Photo 2025, featuring a poignant portrait of a young boy with amputated arms. He wears a white tank top and stands against a wall, his pensive face half-lit by strong sunlight, creating a dramatic shadow. The book has a red spine with white text.

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The cover of The Helsinki School, The Nature of Being, vol. 6, showing a two-panel photograph of lily pads on teal water, with the leaves colorized in light blue and rusty orange.

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The book cover for World Press Photo 2025. The cover features a photograph of a young boy with amputated arms wearing a white tank top. He stands against a wall, his face and body partially lit by a strong, warm light that casts a deep shadow. He looks to the side with a pensive expression.

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Das Buchcover von Renegades von Chloe Sherman zeigt eine Person, die nachts am Steuer eines Autos sitzt und über die Schulter zurückblickt.

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The red cover of the book C.V.J. by Julian Schnabel, featuring a large, cream-colored brushstroke behind the black title letters.

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A sepia-toned halftone photograph of tall hollyhocks blooming on their stalks.

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A sunlit view from a minimalist white room through a large window onto green trees, set within a grey textured frame.

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The book cover for Jose Dávila, which features a large stone resting in a bright orange, abstract metal sculpture.

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The book cover for Les Absents by Maxime Ballesteros. The cover features a photograph of two figures sitting on a white sofa, completely shrouded from head to toe in flowing black fabric. Only their lower legs are visible, showing stockings and black high-heeled sandals.

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The cover of Ceal Floyer A Handbook, a pale yellow page with numbered index tabs running vertically down the right side.

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The black and white cover of the book Reclaiming Artistic Research, edited by Lucy Cotter, with the title in a large, bold, black font.

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The book cover for Mono Bloc, featuring a white plastic chair against a white background with the title in large orange letters.

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A black and white photograph of a detailed fish tail fossil on the cover of the book Analogies by Stuart Franklin.

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The black and white cover of the book Black Masculinities, edited by Joshua Amissah. The title is written vertically in black text on a grainy gradient that fades from white to black.

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A vibrant blue building with a courtyard featuring a central fountain and surrounded by various cacti.

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A man on a ladder prunes a tree with a chainsaw in a suburban Japanese park, with the snow-capped Mount Fuji rising in the background.

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A young hunter in fur pants holds a rifle and a small sled while standing in a vast, snowy landscape with a hunted seal on the ground.

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The book cover for Rwandan Daughters shows two women standing side by side in a desolate, smoky landscape of scorched earth.

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The cover of the book Living Museums by Donatien Grau, which features dark blue text on a light blue background.

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