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Raw Bone

Cover: A Horse at the Window by Spencer Gordon. A painting of a person with fire coming out of their head. They are wearing a black suit jacket. and holding a flaming flower.

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A Horse at the Window

Cover: The Tufted Puffins of Triangle Island. Written by Deborah Hodge. Pictures by Karen Reczuch. A close-up of a bird’s head fills the page. The bird has a black neck, white face, orange beak and long, yellow tufts flowing from above its eye to behind its head. Behind it are three more tufted puffins sitting on a grassy cliff with the ocean and clear blue sky behind them. The illustrations are done in watercolor and pencil.

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The Tufted Puffins of Triangle Island

It is snowing on a busy city street. Shops line the street with single story apartments above them. The title of the book is shown as a shop’s sign. People walk along the sidewalk in winter clothes. Cars and trucks drive on the snowy road. The author and illustrator’s names are shown on the sides of trucks. Text: My Winter City. Words by James Gladstone. Pictures by Gary Clement.

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My Winter City

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Shrewed

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Ideas to Postpone the End of the World

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DarkMarket

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Bitter and Sweet

Cover: Genocide: Revised and Expanded Edition. By Jane Springer. Quote from Horn Book: “An impossible overview of a timely topic.” A stylized drawing shows a man with white skin tone, wearing red, looking down from where he stands on top of a mountain of human skulls. The background is black, and the title lettering is red.

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Genocide

Cover: “A Kid is a Kid is a Kid, written by Sara O’Leary, illustrated by Qin Leng.” The title looks like it has been printed by a child in different colored crayons. Beneath the title is a group of fourteen kids, illustrated in ink and watercolor. Some look out at us; others talk, laugh, play or wave, having a busy, noisy good time.

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A Kid Is a Kid Is a Kid

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Mirror Lake

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Boundless

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A Sweet Meeting on Mimouna Night

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Like This

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The Book of Fate

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Erasing Memory

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The Honeyman Festival

Cover: Sometimes I Eat with My Hands by Kid Haile, illustrated in a watercolor art style. A young girl with medium-dark skin tone and curly hair in pigtails wears a white T-shirt covered in spaghetti stains. She sits in a highchair holding out fistfuls of spaghetti. The tray in front of her is covered in noodles and an empty pink bowl. in the background there is a stuffed panda covered in noodles, and a baby crawling on the floor toward a tipped-over sippy cup. The background is green with a white border.

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Sometimes I Eat with My Hands

It is snowing. An up-close view of the corner of a bus window shows a child with light skin tone sitting inside right next to the window. They wear a hat and scarf. Inside the window are the silhouettes of people standing and holding on to the bus railings. A busy city street with cars stopped at a red light and tall buildings are in the reflection of the window. Text: Small in the city. Sydney Smith.

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Small in the City

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Viola Desmond Won't Be Budged!

All That Grows. Words and pictures by Jack Wong. A close-up shows a boy’s face as he stares wide-eyed at four tiny green plants that have sprouted in a bed of soil. The boy has medium skin tone and brown eyes. The title is hand-lettered in green, and the author’s name is in pink.

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All That Grows

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French Exit

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Book Uncle and Me

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Glorious Frazzled Beings

Cover: Eve: The Disobedient Future of Birth by Claire Horn. The main title is in large type centred in the top third of the cover with the subtitle in smaller type centred on the line below. Behind the display type is a drawing of a sapling with roots attached to a transparent amniotic sac in which an upside-down, fully-formed human fetus is curled in on itself. The author’s name appears below the image at the bottom of the cover.

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Eve

Cover: A Daughter's Place by Martha Bátiz. Artwork of two young women in seventeenth-century clothing. One leans on a window ledge, resting her chin on her hand and smiling, while the other peeks out from behind a curtain, holding a cloth to her face. The title and author’s name appear in large, white brush script.

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A Daughter's Place

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Noopiming

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Angry Me

A Friend Is a Friend Is a Friend. Written by Sara O’Leary and illustrated by Qin Leng. A group of fifteen children of various skin tones perch and swing playfully from the branches of a tree.

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A Friend Is a Friend Is a Friend

Books of Wonder

A Mastery of Monsters

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Grant and Tillie Go Walking

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Belonging

A black tree is against a yellow background. The tree has white fruit shaped like pears and black leaves. The silhouette of a girl and a chicken are in the tree sitting on a high branch. Text: How to Bee. Bren MacDibble.

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How to Bee

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The Lost Flowers of Alice Hart

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Migrant

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Kapusta

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Mai at the Predators' Ball

Farming land is divided into sections. On a grassy section is a windmill, a tractor, and three chickens. A red roof looks out over the land. On the roof sits a white cat. Text: The Mostly True Story of Pudding Tat, Adventuring Cat. Caroline Adderson.

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The Mostly True Story of Pudding Tat, Adventuring Cat

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A Pond, a Poet, and Three Pests

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The Enchanted Life

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Dodge City

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Far to Go

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Pirate Queen

Maybe a Whale by Kirsten Pendreigh and Crystal Smith. From a bird’s eye view, two people are seen sitting in a yellow kayak paddling across the calm, open ocean. Their paddling creates small, white curls in the light blue water. A large silhouette of a humpback whale is visible swimming below the water, beside the kayak. The head of a second whale is seen swimming on the other side of the kayak.

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Maybe a Whale

Cover: Chrysalis: Stories by Anuja Varghese. The title is centred with the author's name below it. A faint paisley pattern fills the black background. The image is an 18th C painting of a thin reddish branch with heart-shaped leaves and a pale peach flower and two buds. In the bottom left is a pinkish-brown Antheraea polyphemus moth with a brown thorax and two large black spots ringed in white on the lower wings, and two smaller black and white spots on both the upper and lower wings.

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Chrysalis

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Ablutions

Cover: Abstract painting featuring three indistinct female figures in vibrant colors against a light background. The figures are rendered with broad, expressive brushstrokes, blending hues of orange, red, brown, purple, and yellow. The title The Creation of Half-Broken People is centred on the cover in large letters with the words “a novel” in smaller type below it. The author’s name, Siphiwe Gloria Ndlovu, appears at the bottom of the cover.

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The Creation of Half-Broken People

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Vantage Point

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The Spotted Dog Last Seen

Small white dots are on a blue background. There are also six small star shapes among the dots. At the bottom is a dense section of darker blue lines. A pile of three books lay on top of those lines. The title of the book on top reads “Astronomy”. A person and a dog are on top of the books looking up at the dots and stars. Wavy sections of lines cross through the dots and stars. Text: Clear Skies. Jessica Scott Kerrin.

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Clear Skies

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Little Dogs

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The Quiet

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The Quiet

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Any Questions?

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Birding with Yeats

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The Marrying of Chani Kaufman

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The Water Rat of Wanchai + The Dragon Head of Hong Kong

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Short Stories for Little Monsters

A photograph shows a white plate on a wood table. The food on the plate is decoratively arranged. Orange sauce has been placed with a hand to show a handprint. On top of the handprint is a delicate tower of grains, vegetables, and meat. Text: Tawâw. Progressive Indigenous Cuisine. Shane M. Chartrand with Jennifer Cockrall-King. Best in the World Gourmand World Cookbook Awards.

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tawâw

Cover: Goddess by Deborah Hemming. The bust of a Greek statue gazes off to the side. The top of her head is overlaid with a headpiece made up of leaves and flowers in bright pinks, reds, and greens, with a green snake in the midst of it all. The background is a textured teal green.

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Goddess

A graphic pattern is in shades of blue and green shapes with grey lines in between. Some grey lines cross over and through the letters of the title and the authorÕs name. Text: Dual Citizens. Alix Ohlin. Scotiabank Giller Prize Finalist. Author of Inside. ÒTouchingÉ Dual Citizens has a lot in common with Zadie SmithÕs Swing Time and Claire MessudÕs The Burning Girl.ÓÑWall Street Journal.

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Dual Citizens

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De Niro's Game

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Buddy and Earl

Cover: “Summer in the City. Marie-Louise Gay and David Homel.” Two boys peer out of a red tent, spotting a skunk with their flashlight. The tent is set up in a fenced-in yard behind a residential house. A cat stands on the top of the tent, tail raised. Tall buildings are visible in the background. Bats fly in the night sky around a full moon.

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Summer in the City

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Out of the Sun

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Narinjah (The Bitter Orange Tree)

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Minimal

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Chez l'arabe

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Methodist Hatchet

Cover: procession by katherena vermette. The title and author's name all appear in white text, stylized in lower case. The backdrop is a close-up image of a beaded quilt, vibrant and detailed, with flowers, paisley, and more designs appearing. The edge of the quilt is beaded in red, and a yellow surface beneath the quilt appears at the bottom-left corner.

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Procession

A photograph shows soft waves on water. The sky overhead is blue with a few big clouds. Thin, yellow lines cover the image in a graphic pattern. In front of the pattern is a black and brown circle that resembles a burn mark in paper. It covers the center of the image. Text: Island. Patrick Downes.

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Island

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October 1970

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Looks Like Daylight

A photograph shows a close-up of a woman’s face. We see the bottom right corner of her face showing the side of her mouth, her cheek, and a part of her nose. She has light skin tone and short, curly, dark hair. She wears a pink lip colour and blush. Around her neck is a short, yellow pearl necklace and she is wearing a fine-knit, teal sweater. Text: Marie-Renée Lavoie. Autopsy of a Boring Wife. “True to life and wildly entertaining.” – Huffington Post.

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Autopsy of a Boring Wife

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Out of the Way! Out of the Way!

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Town Is by the Sea

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Based on a True Story

Cover: CBC Massey Lectures, What I Mean To Say: Remaking Conversation In Our Time by Ian Williams, award–winning author of Disorientation: Being Black in the World and Reproduction. Below the type are four stylized line drawings of faces with splashes of colour in peach, pink, orange and yellow. The entire cover is framed in a white box according to the CBC Massey Lectures series look.

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What I Mean to Say

Cover: Strange Bewildering Time: Istanbl to Kathmandu in the Last Year of the Hippie Trail by Mark Abley. A vintage colour photograph of a red-orange 1960s bus on a deserted road. Beside the bus is one half of a road sign, with a dark-skinned man standing in front of it. In the background are rolling green hills and a white-tipped mountain, with a blue-green sky above.

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Strange Bewildering Time

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Parvana's Journey

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The Substitute

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Heroes in My Head

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Sit

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As Glenn as Can Be

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The Hollow under the Tree

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The Universe Within

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Back in the Land of the Living

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The Best Kind of People

Dark blue vines curl along the sides of a light blue background. At the bottom of the vines are two small circles made by the branches, each with a rose. In the left circle is a man’s face and in the right circle is a woman’s face. In between the two is a girl with earphones. All three people have light skin tone and black hair. At the top of the vines are pink roses. In between them is the silhouette of a woman on stage in front of many seats. Text: Operatic. Kyo Maclear. Byron Eggenschwiler.

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Operatic

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The Kids in the Hall