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Cover: Arms and Legs, A Novel by Chloe Lane. A pair of legs from knees to toes sticks up vertically from the bottom of the cover. The legs are painted in a light skin tone with shading against a black background.

House of Anansi Press

Arms & Legs

House of Anansi Press

Swimming Lessons

House of Anansi Press

Raw Bone

House of Anansi Press

The Water Rat of Wanchai + The Dragon Head of Hong Kong

House of Anansi Press

China Unbound

House of Anansi Press

Seven Fallen Feathers

Cover: Denison Avenue by Daniel Innes and Christina Wong

ECW Press

Denison Avenue

House of Anansi Press

The Book of Fate

House of Anansi Press

Vantage Point

Once Upon a Bookstore

The Last Mandarin

House of Anansi Press

This Accident of Being Lost

House of Anansi Press

Silver Repetition

Cover: CBC Massey Lectures: Player One: What Is to Become of Us, A Novel in Five Hours by Douglas Coupland. A blurry black and white photograph of two figures sitting on stools at a long bar with two empty seats between them. The person in the foreground wears a dress and high heels. There are five coloured dots overlaying the photograph in black, red, blue, yellow, and white. The dots cover the figures' faces, and black arrows connect the dots.

House of Anansi Press

Player One

House of Anansi Press

Does State Spying Make Us Safer?

A photograph shows dry, flat land with patches of yellow grass. The head and spine and part of the ribcage of an animal skeleton is on the ground. A sparse layer of frost and snow are on the ground. In the distance is a group of people, with two people further away. Mist hangs in the air and a grassy mountain is barely visible behind the people. Text: Surrender. The Call of the American West. Joanna Pocock. “Candid and beautifully written… A necessary read for our times.” – Edward Burtynsky.

House of Anansi Press

Surrender

House of Anansi Press

Erasing Memory

House of Anansi Press

The Two Sisters of Borneo

House of Anansi Press

Boundless

Cover: Bury the Lead: a Quill and Packet mystery by Kate Hilton and Elizabeth Renzetti. The cover illustration shows a woman with dark hair and stark features peeking out from behind a red curtain, as if looking out from backstage. There is a blurb at the top which reads, “A whodunit that had me turning pages as fast as I could … an absolute delight!” —Marissa Stapley, New York Times bestselling author of Lucky

House of Anansi Press

Bury the Lead

House of Anansi Press

Kim's Convenience

House of Anansi Press

The Return of History

House of Anansi Press

How to Restore a Timeline

House of Anansi Press

Who Will Bury You?

Cover: Middlemen, a MacNiece mystery by Scott Thornley. A Northern Goshawk appears in flight, its wings spread and its talons sharp, poised to grab. Its mouth is wide open, and it is looking down. The bird is lit as though in a spotlight in the dead of night. The author's name and title are in all caps in yellow and pink.

House of Anansi Press

Middlemen

Cover: The Golden Daughter: My Mother's Secret Past as a Ukrainian Slave Worker in Nazi Germany by Halina St. James. An illustration of three sunflowers in descending size from the left on a dark blue background: the biggest flower has orange petals, the middle one is yellow, and the smallest one is pink; they all have green stems with leaves.

House of Anansi Press

The Golden Daughter

House of Anansi Press

The Last Stampede

House of Anansi Press

The Middle Stories

House of Anansi Press

The Butcher's Hook

House of Anansi Press

French Exit

House of Anansi Press

Noopiming

The silhouette of a man running is against a blue background. Sections of the background have a geometric Chinese pattern in a darker shade of blue. Inside of the manÕs silhouette is an image in shades of blue. The image shows a city between grassy mountains. Beyond the mountains is water with waves crashing against the sand. Text: Foresight. The Lost Decades of Uncle Chow Tung. Ian Hamilton. From the Bestselling Author of the Ava Lee Series.

House of Anansi Press

Foresight

House of Anansi Press

The Sultan of Sarawak

(1)

House of Anansi Press

You Can Pick Me Up at Peggy's Cove

House of Anansi Press

Endings

House of Anansi Press

All Our Relations

Bright red background. Text is in yellow and black. Text: China and the West. Speakers H.R. McMaster. Michael Pillsbury. Versus Kishore Mahbubani. Huiyao Wang. The Munk Debates.

House of Anansi Press

China and the West

House of Anansi Press

Testament

House of Anansi Press

Winter

House of Anansi Press

Life Is About Losing Everything

House of Anansi Press

Ana Historic

The Bookmark Books & Gifts

The Last Tiger

A grassy ridge looks out over a series of tree-covered hills and mountains. A person stands on the ridge looking out over the edge. They wear a heavy jacket and pants. Text: Ridgerunner. Gil Adamson. Award-winning author of The Outlander. Scotiabank Giller Prize Finalist. WritersÕ Trust of Canada Winner. WritersÕ Trust Fiction Prize. ÒA brilliant literary achievementÉ I loved every page.Ó Scotiabank Giller Prize Winner Michael Redhill.

House of Anansi Press

Ridgerunner

Cover: A Love Affair with the Unknown: Leaning into the Uncertainty of Modern Life by Gill Deacon. A painting by the author of a woman in a black bathing suit jumping off a green cliff into the water below against a cloudy sky. The title is stacked over this background with the author's name below it.

House of Anansi Press

A Love Affair with the Unknown

House of Anansi Press

Rain and Sun

TYPE Books

Denison Avenue

House of Anansi Press

Minds of Winter

House of Anansi Press

The Princeling of Nanjing

House of Anansi Press

Zagreb Cowboy

House of Anansi Press

The Last Wave

House of Anansi Press

The Politics of the Family

Cover: Dangerous Memory, Coming of Age in the Decade of Greed by Charlie Angus, author of the Trillium Award finalist Cobalt. Title appears in black, bold letters on two white bands against a black and turquoise background. Below is a silhouette of a crowd of activists holding up a megaphone and placards protesting nuclear weapons.

House of Anansi Press

Dangerous Memory

Cover: An Ordinary Violence, a novel by Adriana Chartrand. A black-and-white image of a rabbit against a black background spans the cover diagonally. The rabbit appears from the side with its eyes open. Its legs are bunched under its body, and its ears are laid flat against its back, with its nose pointed into the upper left corner. Red blood droplets spatter the cover.

House of Anansi Press

An Ordinary Violence

(1)

Cover: CBC Massey Lectures, What I Mean To Say: Remaking Conversation In Our Time by Ian Williams, award–winning author of Disorientation: Being Black in the World and Reproduction. Below the type are four stylized line drawings of faces with splashes of colour in peach, pink, orange and yellow. The entire cover is framed in a white box according to the CBC Massey Lectures series look.

House of Anansi Press

What I Mean to Say

House of Anansi Press

Death Goes Better With Coca-Cola

House of Anansi Press

My Grief, the Sun

House of Anansi Press

Dodge City

House of Anansi Press

Mirror Lake

Cover: However Far Away by Rajinderpal S. Pal. A face and shoulders in purple with features obscured in shadow. The figure is wearing orange over-the-ear headphones and a green shirt. The words A Novel appear in white type across the green shirt. Text: A beautiful debut novel about the calamitous aftereffects of decisions made and unmade, secrets kept and spilled. Omar El Akkad.

House of Anansi Press

However Far Away

House of Anansi Press

Hollywood Eden

Cover: Interregnum: Inside the Gruelling and Glamorous Two-Year Battle to become the Next King of Chess by Jordan Himelfarb. Chess pieces on a green checkered board against a light background and two illustrated hands reaching toward the pieces. The title is set in the top third of the cover and the author’s name at the bottom.

House of Anansi Press

Interregnum

Cover: Innie Shadows by Olivia M. Coetzee. “Groundbreaking and unique, character-driven crime fiction." —Deon Meyer. A stylized illustration of a mountain beneath a bright moon and clouds. The background is purple, and the typography and mountain are in vibrant green and yellow. Eyes are scattered at the bottom.

House of Anansi Press

Innie Shadows

House of Anansi Press

The Goddess of Yantai

Cover: We Are Dreams in the Eternal Machine by Deni Ellis Béchard. The words of the title and author's name are composed of small pink and yellow dots against a turquoise background. The dots are sparse at the top of the page and become more dense moving down the cover, giving the impression of something coming into focus. "A Novel" appears in small white type.

House of Anansi Press

We Are Dreams in the Eternal Machine

House of Anansi Press

The Riveter

House of Anansi Press

The Immortal Woman

House of Anansi Press

February

House of Anansi Press

The Break

Cover: A Horse at the Window by Spencer Gordon. A painting of a person with fire coming out of their head. They are wearing a black suit jacket. and holding a flaming flower.

House of Anansi Press

A Horse at the Window

Cover: Chinatown Vancouver: An Illustrated History by Donna Seto. A colourful book cover that features vibrant, detailed illustrations of various storefronts and buildings in Vancouver's Chinatown, with a blue sky background. The buildings display Chinese signage and distinct architectural elements.

House of Anansi Press

Chinatown Vancouver

A photograph shows the back of a woman walking in the middle of a road. She has light skin tone and brown hair. She wears a long, black coat. The background showing the road and its surroundings is blurry and brown. Trees line the road. Part of the sky is blue. Text: The Outlander. Gil Adamson. Author of the Scotiabank Giller Prize Finalist Ridgerunner. “Bolts off the opening page… An absorbing adventure… Captivating.” Washington Post.

House of Anansi Press

The Outlander

House of Anansi Press

Ablutions

Cover: Goddess by Deborah Hemming. The bust of a Greek statue gazes off to the side. The top of her head is overlaid with a headpiece made up of leaves and flowers in bright pinks, reds, and greens, with a green snake in the midst of it all. The background is a textured teal green.

House of Anansi Press

Goddess

House of Anansi Press

Birding with Yeats

House of Anansi Press

Basic Black with Pearls

House of Anansi Press

The Librarianist

House of Anansi Press

The Substitute

House of Anansi Press

The Couturier of Milan

House of Anansi Press

The Rayburn Affair

House of Anansi Press

October 1970

Cover: Lantern, poems by Sanna Wani. Above a cream-coloured background, a forest green border is stamped. Inside the border are three ginko leaves stamped in various directions, as though falling. The text appears in cursive lettering.

House of Anansi Press

Lantern

House of Anansi Press

Ninan

House of Anansi Press

Serafim and Claire

Cover: Owlish, a novel by Dorothy Tse, translated from the Chinese by Natascha Bruce. The cover features a surrealist illustration: The sun sets behind a mountain. A music box with an outstretched ballerina rests on a mossy stone. A figure with a trumpet on his head sits on a red chair, atop a large hourglass. An ear is screwed into rectangular concrete monolith, which is cracking. A man dangles from a purple bridge over a river which fills with a faucet.

House of Anansi Press

Owlish

A photograph shows a white plate on a wood table. The food on the plate is decoratively arranged. Orange sauce has been placed with a hand to show a handprint. On top of the handprint is a delicate tower of grains, vegetables, and meat. Text: Tawâw. Progressive Indigenous Cuisine. Shane M. Chartrand with Jennifer Cockrall-King. Best in the World Gourmand World Cookbook Awards.

House of Anansi Press

tawâw

House of Anansi Press

Blood

House of Anansi Press

Cockroach

House of Anansi Press

Passing Ceremony

House of Anansi Press

Ticknor

House of Anansi Press

When He Was Free and Young and He Used to Wear Silks

Marissa's Books & Gifts 9781250412522 Hardcover The Last Mandarin *PREORDER* Releases 5/12

Marissa's Books & Gifts

The Last Mandarin