Suggested searches

Plant-based protein powders
Vegan leather handbags
Bedroom decor
Waterproof jackets
Hoodies

Learn more about how we use your data to personalize your experience and ads. Recommendations are for informational purposes only.

House of Anansi Press

Products

Products

House of Anansi Press

The Educated Imagination

4.5 (1,234)

Sold 100+ last 30 days

20% off first order

$15.00

Color

Black

Quantity

Product description loading

Product description loading

This is the product description text that will appear here.

You might also like

House of Anansi Press

Eleven Canadian Novelists Interviewed by Graeme Gibson

House of Anansi Press

Arrival

House of Anansi Press

The Bush Garden

House of Anansi Press

Not a Baby Anymore!

House of Anansi Press

Kamouraska

House of Anansi Press

English-Speaking Justice

House of Anansi Press

The Politics of the Family

House of Anansi Press

Sequence

Farming land is divided into sections. On a grassy section is a windmill, a tractor, and three chickens. A red roof looks out over the land. On the roof sits a white cat. Text: The Mostly True Story of Pudding Tat, Adventuring Cat. Caroline Adderson.

House of Anansi Press

The Mostly True Story of Pudding Tat, Adventuring Cat

House of Anansi Press

Big Lonely Doug

Seven Heavens Away: A Novel by Ashraf Zaghal. The title and author name appear in bold red, green, and cream letters to evoke the colours of the Palestinian flag. The background features stylized clouds, stars, a crescent moon, and the Jerusalem skyline.

House of Anansi Press

Seven Heavens Away

House of Anansi Press

This Accident of Being Lost

Cover: An Ordinary Violence, a novel by Adriana Chartrand. A black-and-white image of a rabbit against a black background spans the cover diagonally. The rabbit appears from the side with its eyes open. Its legs are bunched under its body, and its ears are laid flat against its back, with its nose pointed into the upper left corner. Red blood droplets spatter the cover.

House of Anansi Press

An Ordinary Violence

(1)

House of Anansi Press

Up in the Tree

This image is in shades of black and white. A statue on a cliff looks out over the ruins of an old city. The statue resembles a man with short curly hair. It has one arm out and is has a draped cloak around it. The ruins of the city are mainly rubble and stone walls with window openings. The buildings are densely packed together. Text: Erín Moure. The Elements. (Nam:Loz).

House of Anansi Press

The Elements

House of Anansi Press

The Future of Capitalism

House of Anansi Press

Belonging

House of Anansi Press

Second Words

House of Anansi Press

Ten Small Tales

House of Anansi Press

Furious

A tall, pink city building stands against a background with green and yellow swirls. In front of the building are a police car and a motorcycle, both in shades of blue and black. Three white clouds float around the pink building. Text: Rochdale. The Runaway College. David Sharpe. Introduction by Stuart Henderson.

House of Anansi Press

Rochdale

House of Anansi Press

The Real World of Technology

House of Anansi Press

The Sisters Brothers

House of Anansi Press

The Girl from Chimel

House of Anansi Press

Chameleon Hours

House of Anansi Press

The Kids in the Hall

On Wholeness: Anishinaabe Pathways to Embodiment and Collective Liberation by Quill Christie-Peters. The cover features abstract, colourful artwork against a brown background. Organic shapes, some humanlike, and swirling lines reminiscent of waterways and galaxies flow out of a dark hole with red blood dripping from its bottom edge. The hole is flanked by two bears and two thunderbirds on either side.

House of Anansi Press

On Wholeness

House of Anansi Press

The Outside Circle

House of Anansi Press

Buddy and Earl Meet the Neighbors

Cover: Keep: A Novel by Jenny Haysom. A white wall is covered in pieces of overlapping white paper in different sizes. Some lie flat, while others are lifted, casting shadows on the wall. The title, Keep, is written in a black cursive font across the middle of the cover, overlapping many of the pieces of paper, while some of the paper also covers parts of the letters. Jenny Haysom’s name appears at the bottom of the cover in a blocky grey sans serif font. Above that, “A Novel” is written in smaller black le

House of Anansi Press

Keep

House of Anansi Press

Prisons We Choose to Live Inside

House of Anansi Press

More Lost Massey Lectures

House of Anansi Press

Mermaids and Ikons

Cover: Taming Papa by Mylène Goupil. Translated by Shelley Tanaka. A young girl with medium-light skin tone and chin-length black hair sits at a table, looking into the distance with her chin in her hand. In front of her, there is a plate of mac and cheese, a glass of juice, some paper and a pen. Behind her, a man with medium-light skin tone and short black hair sits on a couch, watching TV. The room is dim. The window blinds are closed.

House of Anansi Press

Taming Papa

House of Anansi Press

The Circle Game

House of Anansi Press

The Return of History

House of Anansi Press

The Truth About Stories

Cover: Chrysalis: Stories by Anuja Varghese. The title is centred with the author's name below it. A faint paisley pattern fills the black background. The image is an 18th C painting of a thin reddish branch with heart-shaped leaves and a pale peach flower and two buds. In the bottom left is a pinkish-brown Antheraea polyphemus moth with a brown thorax and two large black spots ringed in white on the lower wings, and two smaller black and white spots on both the upper and lower wings.

House of Anansi Press

Chrysalis

One More Mountain by Deborah Ellis. This image is made of eight scenes on an orange background. First, 4 women in hijabs protest on a street. Second, 3 glasses sit on a tray next to a tea pot. Third, a white truck carries soldiers. Fourth, a person wearing a burqa sits under a tree. Fifth, a man holds a bunch of balloons. Sixth, a boy stands on a roof and watches a plane taking off. Seventh, 3 soldiers with guns sit in a teacup. Eighth, a boy with medium skin tone looks at a globe on a table.

House of Anansi Press

One More Mountain

House of Anansi Press

Noopiming

Cover: In Too Deep: When Canadian Punks Took Over the World, by Matt Bobkin and Adam Feibel. The cover has a red background with white and black text. It features a grainy black photograph of an unidentified guitarist jumping in the air in front of a microphone stand.

House of Anansi Press

In Too Deep

Cover: Great Silent Ballad: poems by A. F. Moritz. A Renaissance-style painting primarily features two figures, one playing a violin and the other playing a lute. The face of a third figure looks down and to the right at the bottom-left of the page, and the body of a fourth appears on the upper right section.

House of Anansi Press

Great Silent Ballad

Cover: Midway, poems by Kayla Czaga. Most of the cover is taken up by the sky at dusk. The bottom edge of a steep hill leads into a still body of water. Near the shoreline is a lit-up Ferris wheel surrounded by a few RVs and strings of colourful lights.

House of Anansi Press

Midway

House of Anansi Press

Tokyo Digs a Garden

House of Anansi Press

How to Host a Dinner Party

House of Anansi Press

The City of Words

House of Anansi Press

The Triumph of Narrative

House of Anansi Press

Technology and Empire

A photograph shows soft waves on water. The sky overhead is blue with a few big clouds. Thin, yellow lines cover the image in a graphic pattern. In front of the pattern is a black and brown circle that resembles a burn mark in paper. It covers the center of the image. Text: Island. Patrick Downes.

House of Anansi Press

Island

A woman with light skin tone holds a bow and arrow taught and ready for the release of the arrow. She aims the arrow toward a bullseye in the air above her. The background is red. Text: Moving Targets. Writing with Intent 1982-2004. Margaret Atwood. Introduction by Jeet Heer.

House of Anansi Press

Moving Targets

House of Anansi Press

Therefore Choose Life

House of Anansi Press

Twenty-First Century Capitalism

House of Anansi Press

Asian Vegetables

House of Anansi Press

When I Listen to Silence

A graphic pattern is in shades of blue and green shapes with grey lines in between. Some grey lines cross over and through the letters of the title and the authorÕs name. Text: Dual Citizens. Alix Ohlin. Scotiabank Giller Prize Finalist. Author of Inside. ÒTouchingÉ Dual Citizens has a lot in common with Zadie SmithÕs Swing Time and Claire MessudÕs The Burning Girl.ÓÑWall Street Journal.

House of Anansi Press

Dual Citizens

Cover: Passengers by Michael Crummey. The words "passengers" and "poems," as well as the author's name, are stylized to form the shape of Newfoundland. The text is in black and red.

House of Anansi Press

Passengers

House of Anansi Press

The Malaise of Modernity

Cover: The Griffin Poetry Prize Anthology 2024: A Selection of the Shortlist. Amelia M. Glasser / Yuliya Ilchuk / Halyna Kruk / Jorie Graham / Ishion Hutinson / Ann Lauterbach / George McWhirter / Homero Aridjis. Edited by Albert F. Moritz. In the centre of the cover is a black and white image of a lush forrest.

House of Anansi Press

Griffin Poetry Prize Anthology 2024

A man with light skin tone and brown hair does a handstand. He wears a black and yellow striped sweater and black pants. In front of him is a white dog. The background is a swirl of coloured stripes. Text: Your Turn, Adrian. Helena Öberg. Kristin Lidström.

House of Anansi Press

Your Turn, Adrian

Cover: The All + Flesh, poems by Brandi Bird. A vibrant, impressionist-style painting of a golden sunset over a red horizon. The sky blends from teal at the top to a bright yellow around the white sun, which reflects like a flaming spotlight on the ground. The brush strokes are cross-hatched in the sky, giving the appearance of downward motion, while the ground appears sponged.

House of Anansi Press

The All + Flesh

House of Anansi Press

Poems for All the Annettes

House of Anansi Press

Seven Fallen Feathers

House of Anansi Press

Like This

House of Anansi Press

Doctor Kiss Says Yes

House of Anansi Press

Power Politics

House of Anansi Press

All Our Relations

Cover: Our Voice of Fire: A Memoir of a Warrior Rising by Brandi Morin. A painted portrait shows a woman with medium-dark skin tone and black hair beating a drum. She wears a cream-coloured dress and stands before a red circle.

House of Anansi Press

Our Voice of Fire

House of Anansi Press

Birding with Yeats

House of Anansi Press

Good Morning, Sam

House of Anansi Press

Ideas to Postpone the End of the World

House of Anansi Press

Life Is About Losing Everything

House of Anansi Press

The Lost Spells

A woman with light skin tone stands in a field of tall, dry grass. The sky is blue behind her. Her hands are bound in front of her with white fabric. She holds a piece of driftwood to cover her face. One eye is visible through a circular hole in the wood. Feathers stick out of a cracked section toward the top of the driftwood. Text: NDN Coping Mechanisms. Notes from the Field. Billy-Ray Belcourt. Winner of the Griffin Poetry Prize.

House of Anansi Press

NDN Coping Mechanisms

House of Anansi Press

Martin and the River

Cover: House of Anansi presents Xanax Cowboy, poems, written and directed by Hannah Green. The cover is yellow, monochrome. The title text is large and black, and the font appears as though stamped with ink.

House of Anansi Press

Xanax Cowboy

(1)

House of Anansi Press

When He Was Free and Young and He Used to Wear Silks

House of Anansi Press

The Elsewhere Community

House of Anansi Press

No Pain Like This Body

House of Anansi Press

Arroz con leche / Rice Pudding

House of Anansi Press

Great Expectations

Cover: CBC Massey Lectures, The Age of Insecurity: On the Collapse of Our Economic, Emotional, and Ecological Well-being by Astra Taylor. A white arrow points downward, framed by red and black geometric shapes.

House of Anansi Press

The Age of Insecurity

House of Anansi Press

History’s People

House of Anansi Press

Ana Historic

House of Anansi Press

That Night's Train

This image is in shades of black and white. Six women hang upside down by their knees from a set of monkey bars. They each wear the same uniform of white shorts with a dark stripe and buttons down the side and a white short-sleeved sweater with a thick dark stripe across the chest. Each woman dangles their arms toward the ground. They all have light skin tone and dark hair. Text: Dunk Tank. Kayla Czaga.

House of Anansi Press

Dunk Tank

House of Anansi Press

Blood

House of Anansi Press

The Librarianist

House of Anansi Press

Thrifty

A long bridge crosses over water toward a city skyline. Boats are on the water below it. A woman with light skin tone and dark hair stands in the foreground in an 19th century style dress. She has her hands on her hips. The sky is red. Text: How Emily Saved the Bridge. The Story of Emily Warren Roebling and the Building of the Brooklyn Bridge. Frieda Wishinsky. Natalie Nelson.

House of Anansi Press

How Emily Saved the Bridge

House of Anansi Press

Gardening Naturally