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Interweaving of visual work with fragments from interviews, talks, and letters for a unique theoretical perspective
Explores the evolution of photographic practice from conceptual art to photo-texts informed by psychoanalysis and feminism
批判性地 examines the role of image in neoliberal capitalism and contemporary culture
Includes insights from renowned critic David Campany for added academic value
Available in a new Mack facsimile edition, making it accessible to a wider audience
Summarized by Shop
My decision to base my work in cultural theory, rather than traditional aesthetics, has resulted in work whose precise ‘location’ is uncertain, ‘between’: between gallery and book; between ‘visual art’ and ‘theory’; between image and narrative – ‘work’ providing work between reader and text.
