First monograph publication of Gaylen Gerber's work for an in-depth artistic analysis
Documents Gerber's 1992 exhibition at the Renaissance Society, including installation details
Includes Jan Avgiko's catalog essay exploring perceptual and aesthetic theories
Features 7 color and 10 black and white illustrations for visual context
Paperback format for easy handling and portability
Summarized by Shop
The exhibition of Gerber's work at The Renaissance Society in 1992 marked the culmination of a ten-year period in which Gerber persistently painted the same opaque, monochromatic still-life over and over, in a bold artistic assertion that seeing is not believing but simply perceiving.
This catalog is the first monograph publication of Ger
