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Cover of "The Cotillion," by John Oliver Killens, which features a blue filtered photo of a Black man and woman looking out a window.

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The Cotillion

Cover of "Shoulder Season," by Ange Mlinko, featuring several illustrations of random objects, such as a skeletal horse, a statute of a lion with wings, and a sailboat on green water.

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Shoulder Season

book cover featuring a black background and door opening into orange negative space with a orange key next to it with the title written along the body of the key

Coffee House Press

Unlocking the Exits

Cover of the book bundle "Brian Evenson: New and Reissued", which features four books by Evenson that fuse together in this cover to create a hybrid create.

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Brian Evenson, New and Reissued

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Book cover featuring title in magenta text over a background of worn sandpaper

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Vertigo

Ten Poems about Home-Books-The Poetry Pharmacy

The Poetry Pharmacy

Ten Poems about Home

Paraclete Press

Prayers of a Young Poet

Cover of "The Open Curtain," by Brian Evenson, featuring an illustration of human human arms, one holding a dagger, and the other touching the ground, and a horse hoof behind.

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The Open Curtain

Cover of "Legends from Camp," by Lawson Fusao Inada, which features a black and white photo of a man, woman, and a little boy, and the rest of the cover is a bright red.

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Legends from Camp

Cover of Michael Lally's "Cant Be Wrong," with half the cover in green and the other side featuring a black and white image of a man.

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Cant Be Wrong

Cover of "Testify," by Joseph Lease, which shows an image of a chain link fence that is colored in shades of orange and blue and contains a chain and padlock.

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Testify

Cover of "Spiral Trace," by Jack Marshall, which shows swirling blue lights circling around a black hole.

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Spiral Trace

Cover of "Errançities," by Quincy Troupe, featuring an aerial shot of what looks like a city market.

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Errançities

Book Cover featuring image of a person in a orange jumpsuit and astronaut helmet leaning onto a silver chrome car in a summer field with the title and author in big bold hot pink text

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Alive at the End of the World

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Cuneiform Press

Kyle Schlesinger, ed. : A Poetics of the Press: Interviews with Poets, Printers, & Publishers

book cover featuring white background with blue streaks of paint from the left side and title and author in minimal text on the right

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Word Group

Cover of "Revenants," by Mark Nowak, which features a photograph of a statue of a humanoid figure with angular objects overlapping behind him.

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Revenants

book cover featuring different shades of blue in wave like patterns overlapping in the background with title and author in alternating blue text in a column on the left

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Wise Fish: Tales in 6/8 Time

book cover featuring drawing on left half of cover of half a person's face inside a bear costume with title and author on right half of cover

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Upright Beasts

Cover of "Girl Reel," by Bonnie J Morris, which features an open reel with tape swirling out of it, and a young girl wearing a green blouse and jeans positioned in front of the reel.

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Girl Reel

Book cover featuring image of the tops of dead trees reaching into a white sky from a ground point of view with author and title in skinny black text centered

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You and Three Others Are Approaching a Lake

Book cover featuring image of a stack of paper with a black and white image of a women looking to the side in the center

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Vow to Poetry

Book Cover of "Out of the Blank" featuring a grey metal background with scratches and light reflections. Title in black and red lettering over background.

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Out of the Blank

Cover of "Paul Metcalf Volume Two," by Paul Metcalf, which features a black and white image of a man in glasses smiling at the camera and leaning against a railing.

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Paul Metcalf, Volume II

Cover of "Necessary Distance," by Clarence Major, which features a photograph of a man looking away from the camera, and he is shaded in a light green that almost looks grey.

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Necessary Distance

Open Letter

book cover featuring imagery of news clippings, horses, and images of Native Americans in the center with the title and author on the border in a scrapbook fashion

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Visit Teepee Town: Native Writings After the Detours

Cover of "Glass Houses," by George Rabasa, which shows an image of a window with a gauzy curtain, and this window looks out on a street in black and white with the only color to be found in the tail lights of a parked car.

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Glass Houses

Cover of "Iovis," by Anne Waldman, featuring a black and white drawing of two women from long ago; one is sitting and holding and object, and the is standing behind her.

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Iovis, Book I: All Is Full of Jove

Cover of the Fall 2020 Subscription, showing the covers of the seven featured titles; "Gold Cure", "Pink Mountain On Locust Island", "Things To Do In Hell", "Ramifications", "One Night Two Souls Went Walking", "Reel Bay", and "Written After A Massacre in the Year 2018".

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Fall 2020 Subscription

Deep Vellum

4.9

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Cover of "Surfaces and Masks," by Clarence Major, which shows abstract drawings of doors and a wall, as well as windows, all in shades of blue, black, and yellow.

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Surfaces and Masks

Cover of "Margaret & Dusty," by Alice Notley, which features a close-up photo in black and white of a woman's face.

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Margaret & Dusty

Cover of "Shut Up Shut Down," by Mark Nowak, which features an image of an industrial machine which is flying an upside down American flag from the top, and the entire image is shaded in red.

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Shut Up Shut Down

Cover of "Hold It 'Til It Hurts," by T. Geronimo Johnson, which features two blue envelopes sitting on a white marble surface.

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Hold It 'Til It Hurts

book cover featuring the title and author typed in typewriter text repeating over and over down the cover against a white background with red notes in the left margins

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The Revolutionaries Try Again

Book cover featuring the title and author in big black text in the middle of the cover with fine print text repeating in the background

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Social Poetics

book cover featuring painting of a lightbulb and screw hanging from threads on a wall next to a firefly and polaroid on a green wall background

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Truth, War, and the Dream-Game

book cover featuring speckled texture on a black background with author and title in white and cream text in upper right corner

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They and We Will Get Into Trouble for This

New York Review Books

After Lorca

Cover of "Sidewalks," by Valeria Luiselli, which shows an image of a street lined with cars, houses, and a sidewalk with a pedestrian. The title is written on a sticky note that is posted above this image.

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Sidewalks

Penumbra Press

This Mortal Coil

Cover of "Empty Pockets," by Dale Herd, which shows a small segment of a few different highway signs and a street lamp under a gray sky.

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Empty Pockets

Cover of "Arabian Nights," by Jack Marshall, featuring a pastel drawing of a window looking at the rising moon and bordered by red curtains.

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Arabian Nights

Cover of Patricia Smith's "Blood Dazzler," portraying the image of a hurricane off the coast.

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Blood Dazzler

Curly Shop

'Newspaper Poems'

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book cover featuring black background with a black and white film reel going up the right side with images of people holding a yellow microphone at different angles

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Voice-Over

Cover of "Clifford's Blues," by John A. Williams, featuring a drawing of a Black man wearing a tuxedo and playing the piano.

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Clifford's Blues

(1)

Cover of "The History of the Future: American Essays," by Edward McPherson, which shows a map of the United States that is bisected with roadways and contains red dots in varying sizes.

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The History of the Future: American Essays

Cover of "One Thing That Can Save Us," by Barry Silesky, which features chalk art of three humanoid figures in shades of pink and yellow against a black background.

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One Thing That Can Save Us

New York Review Books

5

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Book cover featuring background of beige parchment with aged lettering in four columns with the title as a serif font in the middle and the author name and genre as footnotes in red text at the bottom of cover

Coffee House Press

A Complex Sentence

Book cover featuring black and white background of a crystalized substance with the title and author in yellow text overlayed

Coffee House Press

Eleanor, or, The Rejection of the Progress of Love

Cover of "A Long Way From St. Louie" by Collen J. McElroy, with a dark blue background and orange flowers, as well as the back of a lady dressed in orange wearing a large orange hat.

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A Long Way from St. Louie

book cover featuring image of a man standing beneath an outdoor roof looking into the camera with a white background and title and author in black text

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The Way of the Dog

Cover of "Our Sometime Sister," by Norah Labiner, which features a black and white image of a woman who has writing overlaid on top of her.

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Our Sometime Sister

Cover featuring an image of plants and water with a filter split down the middle and white sketch lines in organic shapes

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HOMES

Cover of "In the Room of Never Grieve," by Anne Waldman, which features an illustration of a woman hiding behind a white tree as an orange plane flies above her.

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In The Room of Never Grieve

Cover of "Exposed," by Cris Mazza, which has a light pink background and a black and white photo of a broken camera lens in separate pieces.

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Exposed

Book cover featuring image of various buttons and apps on a worn looking piece of paper with title and author on top and bottom of cover

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Things to Do in Hell

book cover featuring image of a pair of worn books standing on a train ledge overlooking a black section where the title is written in bold text at a diagonal

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Working Words

book cover featuring image pink geometric cubes outlined in white. The borders of the image have faded from excessive scratching. Title and author in white text on top and bottom of image

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The Steel Veil

Book cover split in have left side is black white side is white but the line starts to become wavy instead of straight down in the lower half of cover. Title and author in centered writing across cover.

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The Breaks

Cover of "Easter Sunday," by Tom Clark, featuring a blue background with a focus on a painting of three ceramic jars in different styles.

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Easter Sunday

Cover of "Half in Shade," by Judith Kitchen, which is an black and white photograph of a lady sitting on a fence, wearing a suit, and has her feet propped on a tire.

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Half in Shade

Humble Books

(David Lynch)(Chaos Theory of Violence and Silence)(デヴィッド・リンチ展 - 暴力と静寂に棲むカオス)

Cluny Media

Dreams and Images: Anthology of Catholic Poets

Cover of "Make Yourself Happy," by Eleni Sikelianos, which shows a blurry image of a crowd of people, some with hands raised, others with cameras out, and there is also a drum flying through the air above the crowd.

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Make Yourself Happy

Cover of "Pages from a Scrapbook of Immigrants: A Journey in Poems," by Morton Marcus, which features an illustration of a man with a long beard wearing a trench coat seated in front of some sort of religious building.

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Pages from a Scrapbook of Immigrants: A Journey in Poems

Cover of "Pick Up the House," by Anselm Hollo, which features a blue and white abstract art design.

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Pick Up the House

Cover of "Body Clock," by Eleni Sikelianos, on a black background with colorful objects falling from a colorful orb in the corner of the cover.

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Body Clock

The Poetry Book Society

The Process of Poetry

Cover of "Portrait and Dream," by Bill Berkson, which focuses on an illustration of a shaft of sunlight coming through a slanted window.

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Portrait and Dream

Cover of "The Lion's Share," by Rochelle Ratner, showing a drawing of a woman in a blue dress sitting in a chair and holding a lion cub in her lap.

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The Lion's Share

Cover of "Exhibit of Forking Paths," by James Grinwis, which has a green circuit board and metallic holes.

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Exhibit of Forking Paths

Cover of "A Toast in The House of Friends," by Akilah Oliver, with a photograph of a sunset or sunrise in the background and silhouetted trees in the foreground.

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A Toast in the House of Friends

Book cover of a shaded grey background with the title and author in white and black chalky text and a centered row of black and white images of a woman in a long coat

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Bard, Kinetic

Book cover featuring an image of a Black person standing sideface with a black mask covering their head in the geometric shape of a 3D antlered animal

Coffee House Press

The Malevolent Volume

Book cover featuring a chromatic gradient of the rainbow with a grainy filter and thin lined circles intertwining around the minimal font title resembling the planet orbit paths

Coffee House Press

Mitochondrial Night

Cover of "Sesame," by Jack Marshall, which focuses on half of the cover in a shade of dark blue with the other half in black with a small circle of white flecks that spreads across that half.

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Sesame

Book cover featuring title and author in minimal grey text over faded image of a chair overlayed with a worn wooden texture

Coffee House Press

The Body Ghost

Book cover featuring a person's head, shoulders, and chest anatomically intertwined with flowers and botany in pastel colors over a beige background

Coffee House Press

Madder

Cover of "The Marvelous Bones of Time," by Brenda Coultas, which features a drawing of a young child in small clothes, holding a stick with a speak bubble on top, and surrounded by a bright pink paint.

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The Marvelous Bones of Time

Razorcake

One Punk's Guide to Poetry, by Cheryl Klein

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Cover of "The First Flag," by Sarah Fox, which features a close-up of some abstract structure in black and white.

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The First Flag

Book cover featuring bright red background with black geometric shapes in the center and white outlined shapes over the black resembling houses and urban landscape.

Coffee House Press

Socialist Realism

Cover of "Tell Me How It Ends," by Valeria Luiselli, which is an off-white background with the title and author name in a bold black font.

Coffee House Press

Tell Me How It Ends

Cover of "Distance & Direction," by Judith Kitchen, which is a small sketch of tall buildings with a telephone wire strung between. These sketches are done in black ink against a light yellow paper.

Coffee House Press

Distance and Direction

book cover featuring drawing within a purple border of a man and a woman embracing outside with a tree and the sun in the distant background

Coffee House Press

The Samaritan Treasure

Cover image of Brenda Coultas's "A Handmade Museum" with a blue and green colors and a chain-link fence in the background, as well as a focus on graffitied walls.

Coffee House Press

A Handmade Museum