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Cover of Jessica Treat's "A Robber in the House," featuring a black and white abstract image of a face on a red background.

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A Robber in the House

Cover of "Crowning the Queen of Love," by Susan Welch, which features an image of a few people leaning against a bar in muted colors.

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Crowning the Queen of Love

Cover of "Hotel Lambosa," which has a sketched illustrations of a woman holding a small child and a man leaning towards them from the side. They are all colored in muted pastels and the border of the cover is in a turquois blue.

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Hotel Lambosa

Cover of "Elvis Presly Calls His Mother After The Ed Sullivan Show," by Samuel Charters, which focuses on 12 pairs of legs in various dance stances.

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Elvis Presley Calls His Mother After the Ed Sullivan Show

Cover of "Fugue State," by Brian Evenson, which has smears of neutral colors and unreadable typography in the lower right corner.

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Fugue State

Cover of "Father of Lies," by Brian Evenson, on a burnt orange background with a sketch of the back half of some sort of beast with a tail, etched in white.

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Father of Lies

Cover of "Glass Houses," by George Rabasa, which shows an image of a window with a gauzy curtain, and this window looks out on a street in black and white with the only color to be found in the tail lights of a parked car.

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Glass Houses

Cover of "Donald Duk," by Frank Chin, which shows a Chinese man wearing ceremonial robes holding the moon while buildings encase his body.

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Donald Duk

book cover featuring two halves the left being a burnt orange with the title and the right being a black and white image of a Black woman standing against a beidge background

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The Weather That Kills

Cover of "Angel De La Luna and the 5th Glorious Mystery," by M. Evelina Galang, with a focus on a blue background and a woman with red hair laying down in front of an abstract mountain range.

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Angel de la Luna and the 5th Glorious Mystery

book cover featuring title in blurry yellow text over a black background that fades into a blood red towards the top and bleeds into a white strip at the very top of cover

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Windeye

Cover of "Notes on the Possibilities and Attractions of Existence," by Anselm Hollo, which features an abstract corridor with many bright colors and geometric shapes.

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Notes on the Possibilities and Attractions of Existence: Selected Poems 1965 – 2000

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Phantom Limb

Cover of "Sông I Sing," by Bao Phi, which features a falling leaf that contains the image of three people desperately clinging to one another.

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Sông I Sing

Cover of "Secret Weapon," by Eugen Jebeleanu, which features a desaturated photograph of a man with down cast eyes.

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Secret Weapon

Cover of "Common Body, Royal Bones," by Evelyn Shefner, which has a drawing of a naked person covered in light blue drawings of cherubs and ships, and the naked person is also wearing a golden crown.

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Common Body, Royal Bones

Cover of Sandra Benitez's "A Place Where the Sea Remembers," featuring an old lady holding a candle with a bird flying behind her.

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A Place Where the Sea Remembers

Cover of "The Man in the Cardboard Mask," by Alvin Greenberg, which features an illustration of a man's face in black ink and minimal detail.

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The Man in the Cardboard Mask

The cover of "A .38 Special and a Broken Heart" featuring a black background and a pair of cowboy boots covered in hearts and thorny roses.

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A .38 Special and a Broken Heart

Cover of "The Open Curtain," by Brian Evenson, featuring an illustration of human human arms, one holding a dagger, and the other touching the ground, and a horse hoof behind.

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The Open Curtain

Cover of "Paul Metcalf Volume Two," by Paul Metcalf, which features a black and white image of a man in glasses smiling at the camera and leaning against a railing.

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Paul Metcalf, Volume II

Cover of "One Thing That Can Save Us," by Barry Silesky, which features chalk art of three humanoid figures in shades of pink and yellow against a black background.

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One Thing That Can Save Us

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Cover of "Last Days," by Brian Evenson, which features a sketched image of a wolf head with the shoulders and arms of a person, and one hand on this creature is holding a knife.

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Last Days

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Book cover featuring a sketch of two legs in motion running over an object and a reflection of a hand below them

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The Glassy, Burning Floor of Hell

Cover of "Legends from Camp," by Lawson Fusao Inada, which features a black and white photo of a man, woman, and a little boy, and the rest of the cover is a bright red.

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Legends from Camp

Cover of "Becoming Weather," by Chris Martin, which is a mix of blues, greens, and yellows on what looks like crumpled paper.

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Becoming Weather

Cover of "10 Mississippi" by Steve Healey with multi-colored boxes of still water images.

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10 Mississippi

Book cover featuring a person's head, shoulders, and chest anatomically intertwined with flowers and botany in pastel colors over a beige background

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Madder

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Cover of "A Strange Commonplace," by Gilbert Sorrentino, featuring a black and white dartboard with a red bullseye.

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A Strange Commonplace

Cover of "The Lion's Share," by Rochelle Ratner, showing a drawing of a woman in a blue dress sitting in a chair and holding a lion cub in her lap.

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The Lion's Share

Cover of Anselm Hollo's "Corvus," featuring abstract shapes in pink, blue, and purple, as well as a drawn tree and a black bird in a white stamp.

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Corvus

Cover of Jonis Agee's "Acts of Love on the Indigo Road," with a stormy sky and a dirt road in between two green fields.

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Acts of Love on Indigo Road

Cover of "The Cloud of Knowable Things," by Elaine Equi, showing a city sky line against a gray sky with one cartoon cloud floating above.

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The Cloud of Knowable Things

Cover of "Sleep," by Stephen Dixon, which features a photograph of two people's feet with the rest of their bodies hidden under a white sheet.

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Sleep

Book cover featuring black background with white and gold art in the bottom left corner and title and author in the top center

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Indecency

Cover of "The Mermaid That Came Between Them," by Carol Ann Sima, featuring an illustration done in black and white of an ocean with a large fish's tale emerging from the waves.

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The Mermaid That Came Between Them

Book cover featuring gray background with the title written vertically half on the left side and half on the right side of the cover.

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THRESHOLES

book cover featuring black and white image of two hands holding a turtle

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The Tortoise of History

Cover of "The Devil's Snake Curve," by Josh Ostergaard, which shows a blue background that meets a tan color at the bottom of the page, as well as includes an illustration of a baseball.

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The Devil's Snake Curve

Cover of "Body Clock," by Eleni Sikelianos, on a black background with colorful objects falling from a colorful orb in the corner of the cover.

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Body Clock

Cover of "Decoy," by Elaine Equi, focusing on a black and white image of the the back half of someone's head while they look at an empty notebook.

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Decoy

Book cover: The Fire in the Mountain

Kitchen Arts & Letters

The Fire in the Mountain: Sicily, Etna and Her People

Cover of "Bring Us the Old People," by Marisa Kantor Stark, featuring a brown room with a mannequin body wrapped in thorns, as well as two portraits of a man and woman in the background.

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Bring Us the Old People

Cover of "Desire," by Lindsay Ahl, depicting an inky tree and its roots on a scroll of yellow and blue.

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Desire

Cover of "Horse, Flower, Bird," by Kate Bernheimer, featuring a blue creature; the body of an ostrich, the head of a woman, and feathers in the shape of a large flower.

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Horse, Flower, Bird

Open Letter

Cover of "A Bliss Case" by Michael Aaron Rockland, with a dark blue background featuring a circle filled with abstract shapes.

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A Bliss Case

Cover of "Arabian Nights," by Jack Marshall, featuring a pastel drawing of a window looking at the rising moon and bordered by red curtains.

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Arabian Nights

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Cover of "Amateurs," by Dylan Hicks, showcasing a rough sketch of eight people in different poses in front of a colored in green background.

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Amateurs

Cover of "Green is for World," by Juliana Leslie, focusing on the image of several scraps of paper in various shades of blues, greens, and whites.

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Green Is for World

Cover of "The Tallness of Moonlight," by Ron Padgett, showing an illustration of a woman sitting on a crescent moon and a little man on a large bullet racing up to her.

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The Tallness of Moonlight

Cover of "How a Mother Weaned Her Girl from Fairy Tales," by Kate Berheimer, which features a photo of yellowed and dying grass as the background.

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How a Mother Weaned Her Girl from Fairy Tales

Cover of "Girl Reel," by Bonnie J Morris, which features an open reel with tape swirling out of it, and a young girl wearing a green blouse and jeans positioned in front of the reel.

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Girl Reel

Cover of "Choruses," by Quincy Troupe, featuring an abstract creature walking across the surface of a body of water.

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Choruses

Cover of "Civil Disobediences," with 14 separate black and white photos of the Statues of Liberty, all from the same angle.

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Civil Disobediences

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Normal People

Cover image of Brian Evenson's "A Collapse of Horses" on a dark orange background featuring a sketch of the back half of a horse and its tail.

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A Collapse of Horses

Cover of "Faces in the Crowd," by Valeria Luiselli, which is looking at the inside of a subway, and the title is contained in a sticky-note.

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Faces in the Crowd

Cover of "Boarded Windows," by Dylan Hicks, featuring a white background with a record player needle in the foreground on top of a record.

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Boarded Windows

Cover of "The Play and Other Stories," by Stephen Dixon, featuring an illustration of two disembodied people holding shovels in holes along the beach.

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The Play and Other Stories

Cover of "Stephen Florida," by Gabe Habash, which has an illustration of a some sort of large wild cat pinning down a smaller animal between massive paws.

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Stephen Florida

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Cover of "Our Sometime Sister," by Norah Labiner, which features a black and white image of a woman who has writing overlaid on top of her.

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Our Sometime Sister

Cover of "Easter Sunday," by Tom Clark, featuring a blue background with a focus on a painting of three ceramic jars in different styles.

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Easter Sunday

Cover of "Sarah— Of Fragments and Lines," by Julie Carr, which features a blue and green watercolor background and four little birds sitting on a wire.

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Sarah—Of Fragments and Lines

Cover of "Outlying Districts," by Anselm Hollo, which has several geometric shapes colored in purple, teal, white, and black.

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Outlying Districts

Book cover featuring a grey grainy background and a white drawn image of faces and hair blurring in and out of each other

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Song for the Unraveling of the World

Cover of "The California Poem," by Eleni Sikelianos, featuring a landscape photograph contained in a grid.

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The California Poem

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Cover image of Brenda Coultas's "A Handmade Museum" with a blue and green colors and a chain-link fence in the background, as well as a focus on graffitied walls.

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A Handmade Museum

Cover of "Pick Up the House," by Anselm Hollo, which features a blue and white abstract art design.

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Pick Up the House

Those Who Leave and Those Who Stay Cover Image

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Those Who Leave and Those Who Stay #3 The Neapolitan Novels

Cover of Michael Lally's "Cant Be Wrong," with half the cover in green and the other side featuring a black and white image of a man.

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Cant Be Wrong

Cover of "The Last Warner Woman," by Kei Miller, which shows a silhouette of an arm holding a bundle of shadowed flowers against a bright red background.

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The Last Warner Woman

Cover of "Guests of Space," by Anselm Hollo, which has an image of an old man in front of a door, a shadowy image on the wall behind the man, and everything is shaded in a dark purple hue.

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Guests of Space

Cover of Bob Kaufman's "Cranial Guitar," featuring a vague sketch of a guitar, shaded in blue with a yellow center, and the left side in a shade of bright yellow.

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Cranial Guitar

Book Cover of "Good Night, Sleep tight" featuring a black and grey image of a humanoid character peaking through web-like branches wearing bone-like armor

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Good Night, Sleep Tight

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Good People: A Novel cover image

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Good People: A Novel

Cover of "Crossing Three Wildernesses," by U Sam Oeur, which focuses on an ancient structure on the shores of a body of water, as well as a cloudy sky.

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Crossing Three Wildernesses

Cover of "Portrait of the Walurs By A Young Artist," by Laurie Foos, which features illustrations of a spray paint bottle, some kind of emoji, and a slice of green pizza.

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Portrait of the Walrus by a Young Artist

Cover of the book bundle "Brian Evenson: New and Reissued", which features four books by Evenson that fuse together in this cover to create a hybrid create.

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Brian Evenson, New and Reissued

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Cover of "The Latehomecomer," by Kao Kalia Yang, which features an illustration of a swirling cloud on a gradient blue background.

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The Latehomecomer

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Button Bookstore

A Peculiar People

Cover of "And the Word," by Cid Corman, with a red background, the title letters in a white, and the complete alphabet bordering the title in black.

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And the Word

Cover of "Let the Dark Flower Blossom," by Norah Labiner, featuring an image of a field covered in snow and a cluster of bare-limbed trees.

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Let the Dark Flower Blossom

Cover of Patricia Smith's "Blood Dazzler," portraying the image of a hurricane off the coast.

Coffee House Press

Blood Dazzler

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Good People by Patmeena Sabit