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Cover of "Civil Disobediences," with 14 separate black and white photos of the Statues of Liberty, all from the same angle.

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Cover of "The Artist's Library," which features an image of folded pieces of paper that are stacked on top of one another, and there is some writing visible on some of these pages.

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New Weathers: Poetics from the Naropa Archive

Cover of "The Loving Detail of the Living & the Dead," by Eleni Sikelianos, which features collage style images: a close-up of someone's eyes, a person on a bicycle, and a man laying down. The rest of the background is a checkered patterned in varying cool tones.

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Cover of the collection On Art (Essays I), featuring the images of the four selected titles; "Borealis", "Time Is The Thing A Body Moves Through", "Socialist Realism", and "Pretentiousness".

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Cover of the collection Alternate Histories, showcasing the covers of four titles; "I Hotel", "Savage Conversations", "Social Poetics", and "When Women Kill".

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Cover of "At the Lightning Field," by Laura Raicovich, including blues, pinks, and grays, as well as bar graphs at the bottom and middle of the page.

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Cover of the Spring 2021 Subscription, showcasing the covers of the seven featured titles; "When Death Takes Something From You Give It Back", "Trafik", "Echo Tree", "A Complex Sentence", "Homes", "Variations on the Body", and "The Glassy, Burning Floor of Hell".

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Spring 2021 Subscription

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Hip Hop Beats, Indigenous Rhymes: Modernity and Hip Hop in Indigenous North America by Kyle T. Mays

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Cover of "Shut Up Shut Down," by Mark Nowak, which features an image of an industrial machine which is flying an upside down American flag from the top, and the entire image is shaded in red.

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Cover of "Psychedelic Norway," by John Colburn, which features the silhouettes of several farm animals shaded in pink, small illustrated flowers, and a white bunny.

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Cover of "Cross Worlds," edited by Anne Waldman and Laura Wright, which features a black and white photo of a group of people, excluding their heads, and it also contains green, orange, and red rectangles containing text.

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Cross Worlds: Transcultural Poetics

Book cover of a shaded grey background with the title and author in white and black chalky text and a centered row of black and white images of a woman in a long coat

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Bard, Kinetic

Cover of "Sarah— Of Fragments and Lines," by Julie Carr, which features a blue and green watercolor background and four little birds sitting on a wire.

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Cover of "Make Yourself Happy," by Eleni Sikelianos, which shows a blurry image of a crowd of people, some with hands raised, others with cameras out, and there is also a drum flying through the air above the crowd.

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Cover of the Fall 2024 Subscription, highlighting the covers of the featured titles; "Good night, Sleep tight", "Lesser Ruins", "Sound Museum", "Sand-Catcher", "Out of the Blank", and "True Failure".

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Cover of "Little Boxes: 12 Writers on Television," which features a blue sky with fluffy white clouds, as well as two utility poles with many wires.

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The Weather That Kills

Cover of "The Pink Institution," by Selah Saterstrom, which has the image of a pink pig superimposed in front of a black and white photo of a group of people in 1800's fashion.

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Cover of "Taking The Wall," by Jonis Agee, which shows a photograph of a young woman wearing a crown and a sash standing in front of a lawn chairs.

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Cover of Ron Padgett's "Alone and Not Alone," with a Pinocchio-like sketch illustration.

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Alone and Not Alone

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How a Mother Weaned Her Girl from Fairy Tales

Cover of "Half in Shade," by Judith Kitchen, which is an black and white photograph of a lady sitting on a fence, wearing a suit, and has her feet propped on a tire.

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Cover of the collection Relational Ethics and Epics, which features six different titles; "The Eros Conspiracy", "Fighting Is Like A Wife", "Margaret & Dusty". "Not Here", "They And We Will Get Into Trouble For This", and "Voice's Daughter of a Heart Yet Born".

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Spectra

Cover of "Isle of the Signatories," by Marjorie Welish, which shows signatures and writing in blue ink, but the writing and signatures have been inversed, so they are not readable.

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Cover of the collection On Art (Novels), featuring the images of six selected titles; "Empty Set", "The Gift", "Leaving the Atocha Station", "Pink Mountain on Locust Island", "Search History", and "Saint Sebastian's Abyss".

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Betwixt-and-Between

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Safe Houses I Have Known

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THRESHOLES

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HOMES

Cover of "Potluck Supper with Meeting to Follow," by Andy Sturdevant, which features several small illustrations of mundane objects, such as a tape dispenser, the news paper, and a billboard.

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Cover of "'66 Frames" by Gordon Ball with a black and white photo of a man.

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Cover image of Brenda Coultas's "A Handmade Museum" with a blue and green colors and a chain-link fence in the background, as well as a focus on graffitied walls.

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Cover of "The Cloud of Knowable Things," by Elaine Equi, showing a city sky line against a gray sky with one cartoon cloud floating above.

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Cover of "Sidewalks," by Valeria Luiselli, which shows an image of a street lined with cars, houses, and a sidewalk with a pedestrian. The title is written on a sticky note that is posted above this image.

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A Complex Sentence

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Cover of "In the Room of Never Grieve," by Anne Waldman, which features an illustration of a woman hiding behind a white tree as an orange plane flies above her.

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Cover of "Pick Up the House," by Anselm Hollo, which features a blue and white abstract art design.

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Cover of the collection Women in Translation, showcasing the covers of six titles; "After The Winter", "The Book of Anna", "Jawbone", "The Remainder", "The Story of My Teeth", and "When Death Takes Something From You Give It Back".

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Cover of "The Iovis Trilogy," by Anne Waldman, which has a faint yellow mandala design at the top of the page with a tribal statue in front of it, and the rest of the cover is in black.

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Vow to Poetry

Cover of "The California Poem," by Eleni Sikelianos, featuring a landscape photograph contained in a grid.

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Cover of "The First Flag," by Sarah Fox, which features a close-up of some abstract structure in black and white.

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Your Kingdom

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The Romance of Happy Workers

Cover of "How We Speak To One Another," edited by Ander Monson and Craig Reinbold, which shows stick-figure people in various poses holding red and white flags, and each contributors name is listed below a figure.

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Cover of "The Meat and Spirit Plan," by Selah Saterstrom, featuring a discolored purple photo of a woman wearing a cloak and a hood with devil horns.

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Cover of "Testify," by Joseph Lease, which shows an image of a chain link fence that is colored in shades of orange and blue and contains a chain and padlock.

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Cover of "Choruses," by Quincy Troupe, featuring an abstract creature walking across the surface of a body of water.

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Cover of "Blindsight," by Greg Hewett, focusing on different sizes and colors of rectangles. Colors range from purple, pink, and yellow.

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Cover of Sarah Fox's "Because Why," with swirling colors of blues, greens, reds, and purples.

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Cover of "Songs from a Mountain," by Amanda Nadelberg, showing an image of an abstract blue shape on top of an orange gradient.

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Cover of "Easter Sunday," by Tom Clark, featuring a blue background with a focus on a painting of three ceramic jars in different styles.

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Easter Sunday

Book cover featuring golden statue where only one hand holding two feathers is in focus with two legs being out of focus in the background and the title in bold text over center of image

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Voice's Daughter of a Heart Yet to be Born

Cover of "Arabian Nights," by Jack Marshall, featuring a pastel drawing of a window looking at the rising moon and bordered by red curtains.

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Arabian Nights

Cover of the collection On Art (Essay II), showcasing the covers of four titles; "At The Lightning Field", "Brown Neon", "The Deja Vu", and "Idiophone".

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Cover of "How to Be Perfect," by Ron Padgett, which features a detailed drawing in muted colors of a bird perched on some sort of wall mount.

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How to Be Perfect

Cover of the Fall 2020 Subscription, showing the covers of the seven featured titles; "Gold Cure", "Pink Mountain On Locust Island", "Things To Do In Hell", "Ramifications", "One Night Two Souls Went Walking", "Reel Bay", and "Written After A Massacre in the Year 2018".

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Fall 2020 Subscription

Cover of the Spring 2022 Subscription, showcasing the covers of the seven featured titles; "When Women Kill", "Fighting Is Like A Wife", "Saint Sebastian's Abyss", "Brown Neon", "The Wet Hex", "Till The Wheels Fall Off", and "Ground Glass".

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Spring 2022 Subscription

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Drum-Taps

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The Body Ghost

Cover of "Faces in the Crowd," by Valeria Luiselli, which is looking at the inside of a subway, and the title is contained in a sticky-note.

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Faces in the Crowd

Cover of "Genoa," by Paul Metcalf, which shows an image of the ocean with a whale's tail coming out of the water imposed over some writing.

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Genoa

Cover of "Bleed Through," by Michael Davidson, with text that is reversed and smudged, as if it has bled through the page.

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